Reading tarot during big decisions, without abdicating
A former therapist on using tarot decision making the right way. The reading should clarify your question and end with you choosing, not the cards choosing for you.
By River Okafor · 2026-05-07
The most common mistake I see in tarot is not a reading mistake. It's a relationship mistake. The client wants the cards to decide for them, and a tired or under-trained reader lets them. The reading ends. The client walks out with a verdict instead of a choice. Three months later they come back angrier than they were when they arrived, because the verdict didn't hold up to contact with their actual life.
I want to write about how to use a reading during a real decision without doing this. I've been on both sides of it. As a former therapist I sat with a lot of clients who'd had a bad reading turn into a permission slip for something they'd already half-decided. As a reader, in my early years, I gave a few of those readings myself, and I regret them. We can do better. We are doing better. Here's the framework.
The two reading postures and why one of them doesn't work
When a client brings a big decision to a reading, the reader has, broadly, two postures available.
The first posture is the verdict posture. The cards say go, you go. The cards say don't, you don't. The reader translates the cards into a directive. The client receives the directive and leaves. This posture is the one most popular tarot media has trained clients to expect, and it's the one a certain kind of reader is happy to provide, because it makes the reader seem powerful and the session feel definitive.
The second posture is the clarification posture. The cards surface what the client already half-knows, names the parts they've been avoiding, and ends with the client holding the decision more clearly than they did at the start. The reader does not vote. The client votes. The reader's job is to make the vote informed.
The first posture is, in my view, almost always wrong. Not because the cards can't speak directly. They can. But because the act of handing a directive to a person facing a real decision strips them of the only thing that makes the decision survivable, which is their authorship of it.
A decision you authored, even if it turns out badly, you can live with. A decision you outsourced, even if it turns out well, will sit on top of your life like a hat that doesn't fit. You'll keep adjusting it. You won't be at home in your own choices.
This is the part most tarot writing skips. The point of the reading isn't the verdict. The point is to give you back your own decision in a clearer shape than you brought it in.
What an abdicated reading looks like
I want to describe this carefully because I think a lot of people don't realise they've had one until much later.
You arrive at the reading with a question you're already 60/40 on. Maybe you're 70/30. You know it. You're not coming for information, you're coming for a tiebreaker, but you're not admitting that to yourself yet, and you certainly haven't admitted it to the reader.
The reader pulls cards. The reader, if they're not careful, picks up on which way you're leaning, and confirms it. They lay the cards in a way that supports the answer your shoulders are already telling them you want. They use language like "the cards are clear" and "this is what's coming." You leave the session feeling settled, but you didn't actually settle anything. The 60/40 became 100/0, not because new evidence arrived, but because someone with apparent authority told you the answer.
A month later you're in the decision. The 30 or the 40 percent that you didn't address is still in the room with you. It's just unsaid now. It'll come out in three months, or in six, when something hard happens and you reach for the part of you that should have weighed in and you find it muted, because you sold it to a stranger in exchange for a clean Wednesday afternoon.
This happens. It happens a lot. I'm describing a kind of session I have, regretfully, given in my first year of reading, and I am describing the kind of session I've sat across from clients picking up the pieces of after they had it with someone else. It's not always the reader's fault. Sometimes the client wants it so badly the reader would have to actively refuse it to avoid giving it. But a reader who knows their job will refuse it.
What a non-abdicated reading sounds like
The reader's job during a real decision is to be a clarifying presence, not a verdict-issuing one. In practice that means a few things.
It means asking the client to state the decision specifically before the cards come out. Not "should I leave my job." That's not a decision. That's a vague feeling. The specific decision is, do I tell my manager next Wednesday that I'm leaving by August. The cards can speak to that. They can't speak to a fog.
It means asking the client where they're already leaning before the cards come out. Most clients will resist this. They'll say they want the cards to tell them. Insist gently. If they're 70/30 on leaving, the reading is going to handle that 70/30 differently than it would handle a true 50/50. You can't read for a tie that doesn't exist.
It means using the cards to ask better questions, not to deliver final answers. A card in the obstacle position is not an instruction. It's a flashlight. It's saying, look here, this is the part you haven't looked at. The client looks. The client speaks. The reader stays quiet long enough for the speaking to happen.
It means ending the reading with the client saying out loud what they're going to do. Not the reader. The client. The reader can summarise, but the verb has to come out of the client's mouth. "I'm going to give two weeks' notice on the 14th." That's the end of the reading. Not "the cards say you should leave."
You can feel the difference. The first ending is a decision. The second ending is a delegation.
The Decision Spread, used right
I use a five-card spread for decisions. I didn't invent it. Versions of it have been around for decades, and I've adapted it from a layout I learned from a reader in Brixton in 2019 whose name I'll keep to myself because she'd hate the attention.
Card one: what is the decision actually about. This is rarely the question the client thought they were asking. The Sword card here is fine. The Cup card here is more revealing. The card is naming the thing underneath the thing.
Card two: what are you already half-decided on. This is the card I read most carefully. The client has a lean. The card will often confirm it. The reader's job is to say it out loud. You've already half-decided this. Let's stop pretending the reading is a coin flip.
Card three: what's the part you've been avoiding. This is the card that does the most work. Every real decision has a piece the decider doesn't want to look at. The card surfaces it. The client looks at the card and, if the reader has done their job, names the piece without the reader having to name it for them.
Card four: what would the decision require of you to make well. This is the action card. Not the outcome card. What kind of person would you need to be, in the next thirty days, for this decision to land properly. Sometimes the answer is more honest conversation. Sometimes it's saving more money. Sometimes it's telling someone you love that you're going to hurt them and you're sorry. The card names the cost.
Card five: what becomes possible if you choose. Not what happens if you choose. What becomes possible. The card is not promising an outcome. It's pointing at a door. The door might or might not be the right door. The client decides.
At the end of the five cards, the reader asks the client one question. Given all of this, what are you going to do. The client answers. If they can't answer, the reading isn't over. Sit with it longer. The answer will come. If it doesn't come in the session, send them home with the spread photographed on their phone and tell them to look at it for a week and write you afterwards. I do this often. The answer always comes.
A small confession about a reading I shouldn't have given
In my first year I read for a friend, badly. She was deciding whether to move in with someone she'd been with for eighteen months. I pulled the cards. I read them as a yes, which they were, broadly. I gave her a clear answer. She moved in.
They broke up four months later, not because the cards had been wrong, but because the reading hadn't done the work of asking her what she was avoiding. The avoidance, which was specific and important, came out in the relationship instead of in the reading. I am, retrospectively, ashamed of how easy that reading was for me. I gave her a verdict because giving her a verdict was the kind of reader I thought I was supposed to be.
She and I are still close, and the lesson stuck. The cards weren't wrong. The reader was lazy. A better reading would have surfaced what she was avoiding and let her decide, in the same direction, but with eyes open. The breakup might still have happened. It might have happened slower, or differently, or with less shock. She'd have authored it either way.
What to ask of your next reader
If you're going to a reading with a real decision on the table, here's what I'd ask of the reader, in your own words, in the first two minutes.
Tell me, when you read for big decisions, do you read to deliver a verdict or to clarify mine.
A reader who answers "to clarify yours" is the reader you want. A reader who answers "the cards will tell us what's right" is a reader who will, with the best of intentions, take a piece of your agency you'll need later. You can leave. You're allowed to. Find a different reader.
The cards are a tool. The tool is not the decider. You are. Don't let anyone, including someone with seventy-eight beautiful pieces of paper, take that from you. The good readers won't try. The ones who try, you don't need.